(English) Sacrum et Decorum XIII – Title and editorial page, table of contents
Przepraszamy, ten wpis jest dostępny tylko w języku Amerykański Angielski.(English) Introduction
Przepraszamy, ten wpis jest dostępny tylko w języku Amerykański Angielski.(English) The Catholic press and rallies in the struggle for the rebirth of religious art in the second half of the nineteenth century
(English) Elżbieta Matyaszewska
Cracow (independent scholar)
p. 8 – p. 40.
(English) The 1909 Lviv Church Exhibition in the context of the exhibitions of Polish church art and religious art and the production of liturgical objects at the turn of the 20th century
(English) Magdalena Kaliszuk
Lublin (independent scholar)
p. 41 – p. 59.
(English) Włodzimierz Konieczny at the First Piotr Skarga Exhibition of Contemporary Polish Church Art in Kraków in 1911
(English) Małgorzata Dąbrowska
Cracow (independent scholar)
p. 60 – p. 80.
(English) The set of prayer book covers presented at the First Piotr Skarga Exhibition of Contemporary Church Art in Kraków in 1911
(English) Monika Paś
National Museum in Kraków
p. 81 – p. 98.
(English) Gold and metal sacred decorative arts of the 19th and early 20th century. The original, copy, or forgery?
(English) Małgorzata Kierczuk-Macieszko
Lublin (independent scholar)
p. 99 – p. 117.
(English) Discussion of the „problem of modern religious art” in the context of the 2nd and 3rd Exhibition of Contemporary Religious Art in Poland
(English) Katarzyna Chrudzimska-Uhera
Cardinal Stefan Wyszyński University in Warsaw
p. 118 – p. 134.
(English) Introduction
(English) The editors
p. 5 – p. 7.
(English) The dialogue with literary and pictorial tradition. The projects of painted decorations of the John III Sobieski chapel in St Joseph’s Church on Kahlenberg, 1911–1914
(English) Beata Studziżba-Kubalska
National Museum in Krakow
The Józef Mehoffer House
p. 7 – p. 26.
(English) Jerzy Nowosielski’s Greek Catholic church in Biały Bór. On painting that has become architecture
(English) Zofia Szot
Adam Mickiewicz University in Poznań
p. 27 – p. 45.
(English) The Apocalypse in the burial crypt. The murals by Joanna Piech and Roman Kalarus in the vaults of Katowice Cathedral
(English) ks. Leszek Makówka
Archdiocesan Museum in Katowice
University of Silesia in Katowice
p. 46 – p. 61.
(English) Doctrinal iconography of a neo-Romanesque basilica: the University Church of the Sacred Heart of Jesus in Lugano, in the canton of Ticino, Switzerland
(English) Fr. Ryszard Knapiński
John Paul II Catholic University of Lublin
p. 62 – p. 89.
(English) The figure of the Good Thief in the latest work of Maciej Zychowicz and Adam Brincken
(English) Adam Organisty
Jan Matejko Academy of Fine Arts in Kraków
p. 90 – p. 109.
(English) Anyone who has eyes should listen
(English) Jerzy Fober
University of Silesia in Katowice
Institute of Fine Arts in Cieszyn
p. 110 – p. 118.
Introduction
(English) The editors
p. 5 – p. 7.
http://dx.doi.org/10.15584/setde.2020.13.1
(English) The transformations of the symbolic and theological meaning of matter reflected in Christian aesthetics and art
(English) Fr. Janusz Królikowski
Pontifical University John Paul II in Krakow
p. 7 – p. 27.
http://dx.doi.org/10.15584/setde.2020.13.2
Semantics of marble in the theory and practice of Polish sacred sculpture in the second half of the 19th century
(English) Maria Nitka
Eugeniusz Geppert Academy of Fine Arts in Wrocław
p. 28 – p. 47.
http://dx.doi.org/10.15584/setde.2020.13.3
(English) Jerzy Nowosielski as a “bilingual” painter. Relations between abstraction and icon in monumental religious projects
(English) Krystyna Czerni
Institute for Art Historical Research IRSA
p. 48 – p. 80.
http://dx.doi.org/10.15584/setde.2020.13.4
(English) The turbulent history of the iconostasis by Adam Stalony-Dobrzański and icons by Sotyrys Pantopulos for the Orthodox Cathedral of the Nativity of the Most Holy Mother of God in Wrocław and the Orthodox Church of the Nativity of the Virgin Mary in Gródek
(English) Anna Siemieniec
University of Warsaw
p. 81 – p. 105.
http://dx.doi.org/10.15584/setde.2020.13.5
Monumental arrangements of the Łysa Góra ceramic tiles in the decoration of church buildings
DOI: 10.15584/setde.2020.13.6
(English) I believe in art
(English) Grzegorz Niemyjski
The Eugeniusz Geppert Academy of Art and Design in Wrocław
p. 128 – p. 135.
http://dx.doi.org/10.15584/setde.2020.13.7