en | Sacrum et Decorum

(English) Sacrum et Decorum I – Title and editorial page, table of contents

Przepraszamy, ten wpis jest dostępny tylko w języku Amerykański Angielski.

(English) Sacrum et Decorum XIII – Title and editorial page, table of contents

Przepraszamy, ten wpis jest dostępny tylko w języku Amerykański Angielski.

(English) Introduction

Przepraszamy, ten wpis jest dostępny tylko w języku Amerykański Angielski.

(English) The Catholic press and rallies in the struggle for the rebirth of religious art in the second half of the nineteenth century

(English) Elżbieta Matyaszewska
Cracow (independent scholar)
p. 8 – p. 40.

(English) The 1909 Lviv Church Exhibition in the context of the exhibitions of Polish church art and religious art and the production of liturgical objects at the turn of the 20th century

(English) Magdalena Kaliszuk
Lublin (independent scholar)
p. 41 – p. 59.

(English) Włodzimierz Konieczny at the First Piotr Skarga Exhibition of Contemporary Polish Church Art in Kraków in 1911

(English) Małgorzata Dąbrowska
Cracow (independent scholar)
p. 60 – p. 80.

(English) The set of prayer book covers presented at the First Piotr Skarga Exhibition of Contemporary Church Art in Kraków in 1911

(English) Monika Paś
National Museum in Kraków
p. 81 – p. 98.

(English) Gold and metal sacred decorative arts of the 19th and early 20th century. The original, copy, or forgery?

(English) Małgorzata Kierczuk-Macieszko
Lublin (independent scholar)
p. 99 – p. 117.

(English) Discussion of the „problem of modern religious art” in the context of the 2nd and 3rd Exhibition of Contemporary Religious Art in Poland

(English) Katarzyna Chrudzimska-Uhera
Cardinal Stefan Wyszyński University in Warsaw
p. 118 – p. 134.

(English) The dialogue with literary and pictorial tradition. The projects of painted decorations of the John III Sobieski chapel in St Joseph’s Church on Kahlenberg, 1911–1914

(English) Beata Studziżba-Kubalska
National Museum in Krakow
The Józef Mehoffer House
p. 7 – p. 26.

(English) Jerzy Nowosielski’s Greek Catholic church in Biały Bór. On painting that has become architecture

(English) Zofia Szot
Adam Mickiewicz University in Poznań
p. 27 – p. 45.

(English) The Apocalypse in the burial crypt. The murals by Joanna Piech and Roman Kalarus in the vaults of Katowice Cathedral

(English) ks. Leszek Makówka
Archdiocesan Museum in Katowice
University of Silesia in Katowice
p. 46 – p. 61.

(English) Doctrinal iconography of a neo-Romanesque basilica: the University Church of the Sacred Heart of Jesus in Lugano, in the canton of Ticino, Switzerland

(English) Fr. Ryszard Knapiński
John Paul II Catholic University of Lublin
p. 62 – p. 89.

(English) The figure of the Good Thief in the latest work of Maciej Zychowicz and Adam Brincken

(English) Adam Organisty
Jan Matejko Academy of Fine Arts in Kraków
p. 90 – p. 109.

(English) Anyone who has eyes should listen

(English) Jerzy Fober
University of Silesia in Katowice
Institute of Fine Arts in Cieszyn
p. 110 – p. 118.

Introduction

(English) The editors
p. 5 – p. 7.
http://dx.doi.org/10.15584/setde.2020.13.1

(English) The transformations of the symbolic and theological meaning of matter reflected in Christian aesthetics and art

(English) Fr. Janusz Królikowski
Pontifical University John Paul II in Krakow
p. 7 – p. 27.
http://dx.doi.org/10.15584/setde.2020.13.2

Semantics of marble in the theory and practice of Polish sacred sculpture in the second half of the 19th century

(English) Maria Nitka
Eugeniusz Geppert Academy of Fine Arts in Wrocław
p. 28 – p. 47.
http://dx.doi.org/10.15584/setde.2020.13.3

(English) Jerzy Nowosielski as a “bilingual” painter. Relations between abstraction and icon in monumental religious projects

(English) Krystyna Czerni
Institute for Art Historical Research IRSA
p. 48 – p. 80.
http://dx.doi.org/10.15584/setde.2020.13.4

(English) The turbulent history of the iconostasis by Adam Stalony-Dobrzański and icons by Sotyrys Pantopulos for the Orthodox Cathedral of the Nativity of the Most Holy Mother of God in Wrocław and the Orthodox Church of the Nativity of the Virgin Mary in Gródek

(English) Anna Siemieniec
University of Warsaw
p. 81 – p. 105.
http://dx.doi.org/10.15584/setde.2020.13.5

Monumental arrangements of the Łysa Góra ceramic tiles in the decoration of church buildings

DOI: 10.15584/setde.2020.13.6

(English) I believe in art

(English) Grzegorz Niemyjski
The Eugeniusz Geppert Academy of Art and Design in Wrocław
p. 128 – p. 135.
http://dx.doi.org/10.15584/setde.2020.13.7

(English) Millennial celebrations of Poland’s Christianization in Poznań – a page in the visual war history of Poland

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(English) The setting of the celebrations of the Grand Millennium Jubilee of the Baptism of Poland in the Cathedral of St John the Baptist in Warsaw (23–24 June 1966)

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(English) Illustrated Polish Bible by Leopold Nowotny and the iconography of the history of Poland in the Nazarene art

Pobierz artykuł w pdf Maria Nitka Polish Institute of World Art Studies Abstract In 1872 Cyprian Kamil Norwid voiced an appeal to save a collection of drawings by Leopold Nowotny, who named the future Illustrated Polish Bible. The author hereof presented the idea of...

(English) The Interior Decoration of the Sobieski Chapel at the Church on Kahlenberg Hill in Vienna

Pobierz artykuł w pdf Joanna Wolańska Cracow (independent scholar) * Abstract According to tradition, in the ruins of the Camaldolese church at Kahlenberg Hill (part of a hermitage founded in the first half of the 17th century and destroyed by the Turks occupying the...

(English) Competition for the Stanisław Kostka Catholic Church in Łódź and the related polemics. “Our own” against “the others”

Pobierz artykuł w pdf Krzysztof Stefański University of Lodz Abstract The competition in 1898 for the Stanisław Kostka Catholic Church in Łódź (today the Cathedral Basilica) was exceptional in many ways. It was the first international competition in this city and one...

(English) Religious Art at the Wiener Secession and Künstlerbund Hagen Exhibitions (1898–1933)

Download article in pdf Dorota Kudelska John Paul II Catholic University of Lublin * Abstract The article presents the contexts in which two important modern art organisations in Vienna (Wiener Secession, Hagenbund) presented strictly religious works of art,...

Introduction

Grażyna Ryba “We are at a moment, I believe, when our experience of the world is less that of a long life developing through time than that of a network that connects points and intersects with its own skein”, and the future will belong more to space than to time –...

Nature as the locus of theological cognition

Metaphysics – symbol – landscape. On the motif of ruins in Caspar David Friedrich’s painting.

The Annunciations of Marzanna Wróblewska. From the artist’s visual journal

Włodzimierz Borowski – a desymboliser of images

The “Groupe de Saint-Luc et de Saint-Maurice” and church art in Switzerland in the interwar period

Adam Stalony-Dobrzański’s projects and stained-glass windows for Warsaw Orthodox parishes

INTRODUCTION

National and messianic themes in the iconography of St John of Dukla. A case study of the hagiographic cycle by Tadeusz Sulima Popiel in Dukla.

Saint Bruno’s Church in Giżycko – the first church commemorating German World War I heroes in East Prussia

Tempus passionis according to Stanisław Kulon

The figure of St Francis in the art and thought of Jerzy Nowosielski. Interior of the Reformed Franciscan Church of the Immaculate Conception of Holy Virgin Mary in the neighborhood of Azory in Kraków (1977–1978)

Martyrological iconography and the mystic experience: Cracow painting of the second half of the 20th century

Messianic and martyrological themes of Christ’s Tombs in Poznań churches in the years 1982–1985: a contribution to the research on Holy Week decorations

Polychromes of Zofia Baudouin de Courtenay in churches of Gdańsk and Sopot

Introduction

Download article in pdf The Editors As the divisions separating individual academic disciplines have progressively dissolved over the past few decades, the scope of possible research has widened accordingly and new perspectives have emerged, especially within the...

Philip Larkin’s Church Going and Ronald Stuart Thomas’s Empty Church – Agnostic vs. Apophatic Space

Przemysław Michalski Cracow, The Pedagogical University Abstract: English literature prides itself on a splendid tradition of religious verse, starting with the medieval Dream of the Rood, through its flourishing in the Baroque (John Donne, George Herbert) to include...

“One by one we look at them”. The experience of an encounter with a religious image in poems by Jakub Ekier

Katarzyna Szewczyk-Haake Poznań, Adam Mickiewicz University Abstract: The poems by Jakub Ekier constitute a case that is quite rare in contemporary poetry: the case when poems referring to religious paintings build, via those paintings, their own way to the truths of...

Stations of the Cross: The sacred space and space sacralisation in the context of modern modern sculptural achievements

Grażyna Ryba Rzeszów, University of Rzeszów Abstract: The essence of sacred art, especially of modern one, can be captured primarily via an analysis of religious and artistic phenomena, in which their visual realisation is only one of the elements. The paper...

Jerzy Nowosielski’s religious projects and works in the churches of the Eastern rite in Wrocław

Krystyna Czerni Cracow, Jagiellonian University Abstract: Jerzy Nowosielski (1923–2011) was one of the most outstanding Polish painters of the 20th century. His oeuvre also includes many projects in the field of monumental religious art. Born to an Orthodox family in...