Introduction
(English) The editors
p. 5 – p. 7.
http://dx.doi.org/10.15584/setde.2020.13.1
(English) The transformations of the symbolic and theological meaning of matter reflected in Christian aesthetics and art
(English) Fr. Janusz Królikowski
Pontifical University John Paul II in Krakow
p. 7 – p. 27.
http://dx.doi.org/10.15584/setde.2020.13.2
Semantics of marble in the theory and practice of Polish sacred sculpture in the second half of the 19th century
(English) Maria Nitka
Eugeniusz Geppert Academy of Fine Arts in Wrocław
p. 28 – p. 47.
http://dx.doi.org/10.15584/setde.2020.13.3
(English) Jerzy Nowosielski as a “bilingual” painter. Relations between abstraction and icon in monumental religious projects
(English) Krystyna Czerni
Institute for Art Historical Research IRSA
p. 48 – p. 80.
http://dx.doi.org/10.15584/setde.2020.13.4
(English) The turbulent history of the iconostasis by Adam Stalony-Dobrzański and icons by Sotyrys Pantopulos for the Orthodox Cathedral of the Nativity of the Most Holy Mother of God in Wrocław and the Orthodox Church of the Nativity of the Virgin Mary in Gródek
(English) Anna Siemieniec
University of Warsaw
p. 81 – p. 105.
http://dx.doi.org/10.15584/setde.2020.13.5
Monumental arrangements of the Łysa Góra ceramic tiles in the decoration of church buildings
DOI: 10.15584/setde.2020.13.6
(English) I believe in art
(English) Grzegorz Niemyjski
The Eugeniusz Geppert Academy of Art and Design in Wrocław
p. 128 – p. 135.
http://dx.doi.org/10.15584/setde.2020.13.7